![]() In order to protect her son she will have to reveal a dark secret, and unleash the vampire within that she fought to hide." Blood Red Sky trailer "A woman with a mysterious illness is forced into action when a group of terrorists attempt to hijack a transatlantic overnight flight. When her son’s life is at risk, she can’t help but use her strength as a vampire to ward off any threat to him. She is a vampire who has been able to keep her secret for quite some time. She isn’t sick from cancer or any illness of that sort. Shortly after the hijacking occurs, Nadja’s secret is revealed. While the film is set on the plane during the hijacking, parts of the story are told via flashbacks that play out how the mother contracted her illness. The plane is hijacked, and her maternal instincts kick in as she proceeds to what she has to do to protect her son. Nadja (Peri Baumeister) and her son, Elias (Carl Anton Koch), are traveling to New York as she seeks help for a mysterious illness. The film falls into the Snakes on a Plane or Train to Busbain vibe that keeps true to its own storyline. Critics have stated that this film has its flaws but agree that it is a fun action-horror worth watching. It’s a shame to see such a theme wasted on a cinematic flight not worth taking.The Netflix original horror film Blood Red Sky was released last week and already sits at the number one spot on the Netflix Top 10 list. This is really a story of a mother trying to protect her son and the lengths that parents will go to not only to keep their kid safe but to hide their monstrous side from their progeny. If there’s anything that works it’s how Horvath frames the relationship between Nadja and Elias, even if it gets too much attention. Throw in some clumsy attempts to integrate anti-Islamic sentiment into the narrative alongside a failure to really use the fact that the sun might come up on this transatlantic flight if they’re forced to reroute as a true ticking clock, and “Blood Red Sky” misses its potential in some way in almost every scene. The fight sequences on the plane all blur together both in style and substance, so it becomes increasingly impossible to care just as the tension should be taking off (and there's absolutely no reason that a movie with this plot should be over two hours long). ![]() One of the biggest problems is the under-lit direction throws a dim weighted blanket over the thrills. terrorists." The mother/son thing can be used to elevate that but it shouldn't be the main focus. The Elias/Nadja connection is designed to add heart, and it does that at times-Baumeister and Koch have a believable connection-but it feels like it’s at the expense of what this movie needed to be more than anything: dumb fun. We're here for "vampire vs. It’s impossible to get invested in any of it, in part because the POV is mostly that of Elias, stunned at the insanity happening around him as he worries most of all about the fate of his mom. Even as it becomes less and less logically sound, it never finds its spark or sense of tension. And yet even then it feels like its teeth aren’t sharp enough. This great idea is handled in stunningly routine fashion in “Blood Red Sky.” The sense of surprise or playfulness that you would think is inherent in a “Bats on a Plane” concept just isn’t here as “Blood Red Sky” only comes to life in bloody spurts after Nadja allows herself to go full vamp. She takes a drug to manage her “condition,” but the violence aboard the plane springs her to life, and it’s not long before she’s sucking the plasma of the men intent on murdering a plane full of passengers. “Blood Red Sky” is the story of a single mother who happened to have been bit by a creature of the night years earlier. Imagine this story told from the POV of the loosely-defined terrorists that then shifts to Nadja when the chaos agents realize that one of the passengers is actually a vampire. “Blood Red Sky” should be a film that takes a sharp turn at maybe the halfway mark or possibly even later when the “bad guys” realize there’s something they didn’t plan for on the plane. She clearly hides a secret but Thorwarth is depressingly uninterested in holding it for long. Nadja ( Peri Baumeister) is traveling across the Atlantic with her son Elias ( Carl Anton Koch) when it’s hijacked by a group of terrorists intent on taking it down.
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